a. The frame story is the tale of Eliza Gant’s family, with flashbacks to explain their financial success.
b. The frame story is the tale of Mr. and Mrs. Gant’s love and marriage, relayed through flashbacks to their youth.
c. The frame story is the tale of Mr. and Mrs. Gant’s community involvement, conveyed in chronological order.
d. The frame story is the tale of Oliver Gant’s life and marriage, presented in chronological order.
Answer:- a. The frame story is the tale of Eliza Gant’s family, with flashbacks to explain their financial success.
Thomas Wolfe organizes the text “Look Homeward, Angel” in a non-linear fashion. The book is divided into three parts, each of which focuses on a different stage of the protagonist, Eugene Gant’s, life. The first part, “The Gants,” tells the story of Eugene’s parents, Oliver and Eliza Gant, and their early life together. The second part, “The Joy of Youth,” tells the story of Eugene’s childhood and adolescence. The third part, “The University,” tells the story of Eugene’s time at college.
Wolfe’s use of non-linear storytelling allows him to explore the themes of family, memory, and identity in a more complex and nuanced way. By jumping back and forth in time, Wolfe is able to show how the past continues to shape the present, and how the individual is always a product of their family and their upbringing.
The frame story of “Look Homeward, Angel” is the tale of Oliver Gant’s life and marriage, presented in chronological order. However, Wolfe often interrupts this narrative with flashbacks to other events in Eugene’s life, as well as with tangential stories about other characters. This creates a sense of disjuncture and fragmentation, which reflects the chaotic and unpredictable nature of life itself.
“Look Homeward, Angel” is a sprawling, ambitious novel that is both a celebration and a critique of the American Dream. It is a powerful and moving portrait of a young man coming of age in the early 20th century, and it remains one of the most important works of American literature.
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